SCOTT BRADLEE’S POSTMODERN JUKEBOX
How did Miley Cyrus’ “We Can’t Stop” become a ‘50s-style doo-wop number? And whose idea was it to rework Lorde’s “Royals” into a polished ballad sung by a sad clown? It’s all part of the topsy-turvy world of Postmodern Jukebox, spearheaded by pianist and arranger Scott Bradlee. Postmodern Jukebox is taking contemporary pop and rock tunes, fashioning new arrangements for them, and casting them in an unpredictable variety of musical styles from the past.
SATURDAY JUNE 24 @ BURTON CUMMINGS THEATRE
DOORS 6:30 | SHOW 7:30